The often Olympian sets art-deco of course, and the miniatures of the city of thr future with airplanes flying between buildings and swarms of industrial workers marching up ramps must have seemed pretty astonishing in 1927.
There are some very stylized sequences with workers in front of a,machine that eventually reveals itself as Moloch with workers moving in a way that reminds you that humans in service to the machine are like parts of the machine.
The makeup and exaggerated acting style are partly a leftover from traditional stage acting where everything was a bit over the top to make sure you get in the back rows and the limits of expressing emotion without audio.
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